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Cartoon-like imagery abounds in the paintings of Hervé Télémaque, tracing the history and impact of racism, imperialism and colonialism. Télémaque has skillfully exploited the political potential of both Pop art and Surrealism. This book explores the artistâs work within the context of Haitian art and history, the politics of anti-Blackness and the global art scene, including selections of writings and works on paper as well as an interview with Hans Ulrich Obrist.