Add $50 to Cart for Free Shipping

El Croquis 227: Alberto Ponis Architecture Book - Rare Design Monograph for Architects & Collectors | Perfect for Studio Inspiration & Academic Research
El Croquis 227: Alberto Ponis Architecture Book - Rare Design Monograph for Architects & Collectors | Perfect for Studio Inspiration & Academic Research

El Croquis 227: Alberto Ponis Architecture Book - Rare Design Monograph for Architects & Collectors | Perfect for Studio Inspiration & Academic Research

$110.71 $201.3 -45%

Delivery & Return:Free shipping on all orders over $50

Estimated Delivery:7-15 days international

People:23 people viewing this product right now!

Easy Returns:Enjoy hassle-free returns within 30 days!

Payment:Secure checkout

SKU:73057235

Guranteed safe checkout
amex
paypal
discover
mastercard
visa

Product Description

Publisher: El Croquis, ISBN: 9788412823424, Format: Softcover, 250 x 340 mm, 301 pp

Alberto Ponis (Genoa, 1933) grew up in contact with some of the most prominent Italian artists and designers of the early 20th century including Giò Ponti, Arturo Martini, Tomaso Buzzi, Paolo Buffa and Fortunato Depero among others, since his Father, Mario Alberto Ponis, collaborated with them through his company MITA (founded in Nervi, in 1926), specializing in the production of rugs, textiles and 'artist’s tapestries'.

Alberto Ponis enrolled at the School of Architecture in Florence in 1953. He graduated summa cum laude in 1960 and moved to the United Kingdom shortly after. From 1960 to 1964 he worked in London with Ernö Goldfinger and Denys Lasdun, where he came into contact with Brutalism, then a dominant presence on the British scene but was also introduced to the relationship between the concept of landscape and painting. In 1963 he arrived in Gallura, on the northern coast of Sardinia, an untouched place of extraordinary beauty, accompanying a group of British investors.

He began his work in Palau, a small port connecting with the island of La Maddalena where he has lived ever since. From the time of his arrival on the island, Ponis felt a deep fascination with the beauty of its nature, the presence of granite rock formations, the Mediterranean macchia landscape and the extraordinary morphology of the coastline. Sardinia was almost uninhabited then, with small rural settlements and stazzi scattered across the landscape.