Reversing the Eye: Arte Povera and Beyond 1960-1975 | Italian Contemporary Art History Book | Perfect for Art Students, Collectors & Museum Enthusiasts

Product Description

Publisher: Atelier EXB, ISBN: 9782365113403, Format: Hardcover, 215 x 300 mm, 420pp

This publication takes a fresh look at the arte povera movement rarely associated with photographic and filmic media. The viewer is invited to 'reverse the eye' though an unprecendented view by placing it in the social and political context of Italy during that time. The result of extensive research in artists' studios and public collections, this book reveals the extraordinary richness of a period when Italian artists were among the most important interpreters of the visual language.

This publication is structured around four themes: body, experience, image and theater. It presents more than 300 works by major figures of arte povera, including Giovanni Anselmo, Alighiero Boetti, Luigi Ghirri, Jannis Kounellis, Piero Manzoni, Mario Merz, Giuseppe Penone, Michelangelo Pistoletto... It also offers a visual immersion in the political and cultural context of the time with portfolios (printed on coloured paper) dedicated to cinema, theater, political events, happenings and press extracts presenting the major socio-cultural issues of the time.

Several texts shed light on the visual corpus at the end of the book: an essay by Giuliano Sergio on this period of Italian artistic effervescence in the 1960s and 1970s in a context of media development, a text by Elena Volpato on video art, followed by a detailed chronology of the movement as well as biographical notices of the artists.

The title 'Reversing the eye' is a reference to the eponymous work by Giuseppe Penone, Rovesciare i propri occhi, which appears in the book and exhibition.

This book accompanies the exhibition presented jointly at the Jeu de Paume and LE BAL from October 2022 followed by the Triennale Milano in 2023, curated by Quentin Bajac, director of the Jeu de Paume, Diane Dufour, director of LE BAL, and Giuliano Sergio, independent curator, with the complicity of Lorenza Bravetta, curator at the Triennale Milano.