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Based upon the research of the Panza Collection Initiative, an ambitious, 10-year study project, this title focuses on four works by key figures of 1960s Minimalism and Conceptual art: Dan Flavin, Donald Judd, Robert Morris and Lawrence Weiner. The authors present each work from several vantages. Together, they explore how a previously unaddressed history of production, ownership and display has deeply influenced the life and legacy of the radical objects of Minimal art.